The cool kids at IWentToAShow.com asked me to tell them about my three favorite shows in St. Louis in 2014. Check out it/them here: IWTAS
The cool kids at IWentToAShow.com asked me to tell them about my three favorite shows in St. Louis in 2014. Check out it/them here: IWTAS
by Jaime Lees
8:00 p.m. September 2
3509 Lemp Ave. St. Louis, MO
w/ The Funs
The ’90s revival is upon us. Chunky-heeled boots and daisy-print dresses are back in fashion, but the most welcome — and maybe unexpected — thing to cycle back into favor is the Breeders. Known for its 1993 radio hit “Cannonball,” the Dayton, Ohio band has recently been awash in productivity and acclaim. Last year it released a twentieth anniversary version of beloved album Last Splash and the influential group has been getting props all over world, with invitations to play at massive international music festivals. The band is passing on the love, too: Midwest/St. Louis art-punker act the Funs is scheduled to open for the Breeders on a five-day stretch of its current tour.
link: Riverfront Times
The Funs Kick Off Tour with the Breeders Tonight at Off Broadway
By Jaime Lees
Tue., Sep. 2 2014
Local artsy/DIY duo the Funs has pulled off the unthinkable: a slot opening for its very favorite band, the Breeders. The Funs will play the first five dates of the tour starting tonight at Off Broadway and ending September 8 in Garden City, Idaho.
Alt-rock band the Breeders has a long history with St. Louis — nearly always scheduling a tour date in the area to accommodate its huge fan base here. This allegiance was most pronounced when the band chose the Lou as a place to film a music video, borrowing our Arch Rival Roller Girls to use as its stars.
The two members of the Funs, Philip Jerome Lesicko and Jessee Rose Crane, have made a name for themselves as an uncompromising, inventive team. Last year, Riverfront Times writer Mabel Suen described the appeal of the Funs like this: “The resulting racket… blasts its way out through a tower of amps, a fuzzy, buzzy wall disjointed by sharp drumming. The two rotate roles between drums and guitar, both crooning through a reverb-drenched haze, floating flawed and fraught with inescapable feelings through outer space.”
We contacted the members of the Funs and had a mutual Breeders gushy-love-session where they praised their new tour mates, expressed their excitement and explained their plans for the future.
Jaime Lees: Tell me how you got the opening slot for the Breeders on this Midwest section of the tour.
Crane: Frank Sharp (Mr. Big) from Sharp Records contacted us from his limo and asked us to play.
Lesicko: I sent an email to an address that I thought might reach Kim [Deal, Breeders vocalist]. The Breeders are our favorite band in so many ways. I sent the email because we care about the Breeders, not because we want to open for a big band. They are one of the few bands that keep it real. And I respect them so much for that. When I received a response I felt… I don’t think there is a word for it. I cannot explain how much it means to us to be able to tour with the Breeders.
Crane: No, really, Philip sent her a video; can you believe that? I can’t. I never would have because I can’t believe that this could happen. Kim reaches out to a lot of smaller bands; it’s one of the billion reasons she’s amazing. We don’t have a booking agent or manager or a big label backing us. We done this all ourselves. We told her we could send more music if she wanted and she said no the live stuff is what matters and it’s really good.
Now Philip can get away with anything for the rest of our lives because if we ever get in a fight, he can just say, “Remember when we went on tour with the Breeders?” and I’ll shut up. It’s un-fucking-real. Most people can’t understand what a big deal this is to me. Unless you could go back in time and see me as kid falling in love with them and talking about them ad nauseum. I’m obsessed. Philip told me and I cried. We were recording at Public House Sound Recordings in Chicago when we got the call and I started to cry. I was just screaming and crying and it was raining and I went out in the rain in my sock feet and was screaming. I thought I was having a heart attack. I had a total meltdown in front of this recording guy, Dave, who I barely knew and he started tearing up I think. He’s really the sweetest guy so it was cool. Really there are no words.
What are some of your favorite Breeders songs and why?
Crane: Well, for whatever reason, “Little Fury,” the first song on Title TK always got me. The breakdown when she sings “Hold what you’ve got.” I love that part, and it just starts so fucking raw. It’s amazing. We actually covered that song once at a Halloween show in Chicago; we did a Breeders set. So that’s on the internet somewhere. I’m dressed like a nun. “Off You” is one of the greatest songs ever written, hands down. The lyrics “I am the autumn in the scarlet / I am the makeup on your eyes.” What? Too good. “I’ve never seen a starlet / Or a riot or the violence of you.” Too fucking good. They just put “Off You” in that new movie Her and I heard it and was, like, woah that’s weird. I would listen that song over and over and over.
Can I just say “Cannonball” is not even close to one of my favorites? And I’m not saying that to go against the grain, but it does annoy me that people are like “Oh, the Breeders? They have that song ‘Cannonball’ right?” And I’m like, “Yeah, and dozens of other songs that are amazing.” All their albums are good. You should listen to them all. Oh yeah, back to the question: I love the song “Doh!” Because it’s weird and oddly beautiful. She is seriously underrated as a songwriter and vocalist. Like, Kim is Bob Dylan and Billie Holiday. Name your biggest names. I don’t care who they are, she is that.
Who do you consider your influences?
Lesicko: Honest, hardworking people in life, art and everything else.
Crane: Well, I think you know, maybe. The Breeders. They are really the only one I can count. Kim has always just been herself and stayed true to herself and who she is and what she does. She really cares about the music and recordings and I feel the same way. She has been a great inspiration to just keep doing what we do.
How do you describe your sound?
Lesicko: It is very intense, in a way that hopefully engages the audience in a positive way. We make music that is natural to us. We care about it. We don’t try to do one thing or the other. Its an extension of who we are and what we are. It’s not for everyone. But I think when people connect they really connect. If you are interested, we can easily be found.
Crane: It’s hard, you know. People have told me more than once that we play emotion. That our songs sound like feelings more than musicians. I can agree with that. I don’t consider myself a musician, for some reason. I would say I’m an artist though. It’s innate, for sure, and all that “whatever” comes out. I don’t think about it or analyze it. Our music is Philip and I’s brains transformed into sound waves. That is what we sound like: fucking crazy brain waves.
Aside from playing live, what are some of your other projects?
Lesicko: We run a label called Manic Static. I put everything into that. We are rehabbing our home called Rose Raft in rural Illinois. It will become a residency for working artists and musicians in the not-too-distant future.
Crane: I make hats out of tin foil and glue and costume jewelry. You want one? I spend a lot of time with tin foil. I sculpt flowers out of plastic bags. I draw cats. I sew little dolls out of socks I call Peekers and sell them at shows, because I’m broke and am bad at money. And yes, I am turning my home into an artist residency. Rose Raft.
What are your plans for the future, band-wise?
Lesicko: The band will never end. We will always write songs together and record them. And I know that people out there dig them, and that is so amazing to me. We will be recording a new record this winter. We hope to have it out in the spring. Followed by non-stop touring.
Crane: I plan to keep making music until my life functions cease. So, lets say an album a year ’til that happens. I’ve been doing that a while now, and you are asking me these questions. We are going on tour with Breeders. As far as I am concerned, I don’t need to do anything else with my life.
link: Riverfront Times
Saturday, July 14, 2012 at the Crack Fox
R. Ring (Kelley Deal of The Breeders and Mike Montgomery of Ampline)
Doors 8:00, show 9:00, $10, 21+
Kelley Deal endeared herself to St. Louisans a few years ago when she chose to film the video for the Breeders’ single “Fate to Fatal” with our roller derby team, the Arch Rival Roller Girls. The video was populated entirely by locals — both on skates and in the audience as extras. Since the filming, Kelley’s sister (and fellow Breeder) has been busy with her other band, the Pixies, and Kelley has joined up with Mike Montgomery of Ampline (and Candyland Recording Studio) in a new duo called R. Ring.
This is a lo-fi project, with both Deal and Montgomery singing and playing acoustic guitars. Montgomery mostly sings as back up to Deal’s familar angelic voice and together the two R. Ringers create songs that range from muted to psychedelic, but always sound personal. It’s a sweet little folk act, but with all of the excellent weirdness and uneasy chaos that permeates Deal’s other musical endeavors. Basically, if you’ve ever wanted to know how Kelley Deal sounds when she’s singing in her living room, this is your chance.
link: Riverfront Times
Songs for the First Day of Summer
By Jaime Lees
Wed., Jun. 20 2012 at 12:09 PM
Ah, summer in St. Louis. A time for tank tops, sunscreen, cold beers sweating in koozies, frying at music festivals, hooking up with randoms, slapping mosquitoes, listening to a member of the Buck family narrate and — if you’re lucky — not dodging too many stray bullets.
Today is the first official day of summer, so we thought we’d celebrate one of the best music-listening seasons by sharing some must-rock summer jams. There are tons of options to choose from: It’s a season for blossoming, for growth, for partying, for enduring and hopefully, for a little fun break in your busy life.
Yes, there is a song out there for every feeling, situation and time, but so many good ones center around this hot, sexy middle season. There’s a summer song for you if you’re feeling romantical. There’s a summer song for you if you’re feeling nostalgic. There’s a summer song for you if you’re finally finished with school. There’s a summer song for you if you’re cheesy. There’s even a summer song for you if you suck.
My favorite summer song is the Breeders’ “Saints” off of the classic ’90s album Last Splash. It’s a dead obvious choice, with lyrics about crowds, fairs, hot metal and the repeating line “summer is ready when you are.” In fact, the whole Last Splash album just sounds like summer, with its surf leanings (“Flipside”), hit sing-a-longs (“Cannonball”) and songs custom built to listen to while cruising with your hand out the window and your palm open to the breeze (“Drivin’ on 9”).
Our hometown hero, Nelly, has given us not one, but two instant summer jams. First came “Country Grammar.” Summer in the Lou cannot start without giving this mega-hit a spin, especially with all the nods to familiar scenes and locations in the video. Then, a couple of years after “Country Grammar,” our golden boy gave us “Hot in Herre,” which is both a club hit and a phrase that is repeated for months ’round these parts, given the hairstyle-ruining humidity.
Any list of timeless summer songs should include a song by the Beach Boys, whose occasionally mercurial front man Brian Wilson turns 70 today. Almost any early song by the Boys works, really. The band’s whole image was designed around those guys being the ultimate groovy summer ambassadors, with their songwriting centered around California, surfing, cool cars and tan girls in bikinis. Of course, any Beach Boys fan can tell you that the talent and focus of the band goes deeper than their sandals and Hawaiian shirts, and the members eventually became some of the most revered musicians in pop music history. Still, let’s take a minute to honor one of the best songs ever written, the twinkling opener to Pet Sounds.
What are some of your favorite summer songs? What song do you queue up to listen to with the windows down? Do you have a set soundtrack to nights drinking on your porch, walking your dog around Forest Park, driving down to the Cardinals game or getting (un)dressed to go sweat it out on the dance floor? Let’s share. Post your favorites in the comments.
9 p.m. Friday, August 7.
Blueberry Hill’s Duck Room, 6504 Delmar Boulevard, University City.
By Jaime Lees
St. Louis is frequently a flyover city for national touring bands, but that’s not the case with the Breeders. They have love for us, and it’s documented: The band returns to town on Friday for the first time since filming a music video here in February, a clip which starred our own female roller-derby league, the Arch Rival Roller Girls. The song in the video, “Fate to Fatal,” is the lead track off of the band’s limited edition EP of the same name. Like 2008’s Mountain Battles, the new EP showcases the same candy-coated indie-pop harmonies that made the band so magnetic during its first wave of success in the ’90s. It’s been nearly twenty years since its first album, Pod, and it’s clear that the Breeders haven’t lost any of its magic.
>> interview with Kelley Deal HERE<<
Interview with Kelley Deal of the Breeders
This one is personal, darlings. As a Breeders fan and a native St. Louisan, I was beyond stoked to learn that the band would be shooting a video in my city with our roller derby team, the Arch Rival Roller Girls.
The event was whispered about for months, but nobody was sure if it would really happen until about a week before the video date. There were no contracts involved, just people getting together to make something cool, completely D.I.Y. style.
So imagine our excitement when it actually happened. Right on time, Kelley Deal arrived in town with video directors Mando Lopez (Breeders bassist) and James Ford. Suddenly, we were superstars. And it was all set up by my friend, Amy Whited.
Whited is a lovable little spaz with a brain that moves lightning fast (and a mouth to match). I’ve known her since I was about 17 years old and she was a cool older sister type who had a band and hosted riotgrrrl concerts in the basement of her ramshackle house.
As far back as I can remember, Whited’s true love had always been music- specifically the Breeders. She’d met the band, seen them play countless times and she has artwork from a Breeders record tattooed prominently on her upper arm. She even adopted two little mixed Dachshund puppies and named them Kim Dog and Kelley Dog.
Whited explains, “They were my most favorite band. I loved the Pixies before them. I was on a mission to meet them cause I saw them in Columbia, Missouri in April 1994, and I was thinking that I must speak to Breeders at Lollapalooza. And they were nice!”
Her dedication all of these years resulted in a spectacular success: arranging for the Breeders to record the bands latest video in St. Louis with her roller derby team and newest obsession, the Arch Rival Roller Girls.
The shoot was scheduled for early on Valentine’s Day and despite the drizzle, the roller girls turned up en masse. During the eight hour video shoot they had to skate pretty much constantly, but they hardly even took breaks. In fact, the rollers seemed to rally near the end of the day.
“We kind of got delirious around hour number six, ” explains Arch Rival Roller Girl Lauren Busiere, “We had to keep skating all day and we were all exhausted. We were completely bonkers. It was like a child’s slumber party in the middle of the day- except Kelley Deal was there. It was really awesome, but completely crazy.”
The spirit of the day was greatly helped along by Deal, who has endless enthusiasm and a contagious smile. She trotted around the rink, sprinkling encouraging words, heartfelt ‘thank you’s and pats on the back wherever needed. Her main role of the day, however, seemed to be to coach the performers with the song lyrics. She wanted the derby players to be the ones singing the song in the video, so she spent much of her time standing behind the camera, holding up a lyric sheet and singing along.
I talked to Kelley yesterday and asked her about Whited, roller derby, the video, her new EP and the Breeders’ future plans. The interview is below.
— Jaime Lees
JAIME LEES: Ok, so let me just say, I’ve known Amy Whited for about a million years.
KELLEY DEAL: Oh, me too. Do you know the story of how we met her?
Yes, but please tell me all of it.
Ok, the Breeders- this was in 1994, the Breeders were on Lollapalooza and we were in Chicago. And my mom and dad had gone to that show ’cause they live in Dayton. So, of course they have all the backstage passes and all that stuff. So we were out walking around and stuff and then we go back to say hi to my mom and dad and they have this, like, 16 or 17 year old little blond-headed girl with them. And they introduced us to her and we were like “Hey, well Hi, how are you?” and my mom is like “This is Amy. She’s joining us back here.”
I guess they started talking to her and they discovered she’d hitchhiked from St. Louis, Missouri to Chicago to go to Lollpalooza. So, of course, my mother and father were just appalled at that idea. So they kind of adopted her that day. So we said hi to her and got her a pass and we hung out back there. And I know before the end of the day my mom and dad gave her money and made her promise to take a bus home back to St. Louis.
You know, I never did ask her how she got home. I need to ask her that. Cause if it were me, I’d have spent it on drugs, you know? Wouldn’t you? But, so after that, years would go by. And any time the Breeders went out, any time we were close to St. Louis like Chicago or Cincinnati we’d be like “Hey, there’s Amy!”And eventually we exchanged phone numbers and then when the email came along we exchanged email.
And the last time I saw Amy was back in the summer when the Breeders came to St. Louis and we met up and we were talking to her and her and some of her friends and roller girl friends came on to the tour bus and we hung out there and stuff after the show. And Amy and I were just talking about how cool it would be to do a video with the derby involved in it somehow. Like the Breeders could play in the middle of the rink or something and we both thought it would be a great idea but then we just kind of forgot about it.
So we left and then the Breeders did this Vote Early, Rock Late rally. It wasn’t for Obama but it kind of ended up being for Obama, if you know what I mean. And it was in Cincinnati and we’re hanging out after our show and we’re talking to these girls and one of them had a derby shirt on for the Cincinnati roller derby and I’m like “Oh my god, are you guys in derby, too? Oh, do you know Amy?” Thinking that everybody knows everybody, you know how that is. So then… That was in October and in November, you know, I had my knitting book out.
So there’s this thing called the No Coast Craft Fair in Minneapolis in November and they invited me to go out there to do a book signing and to
judge craft contests. It was really fun. There was five teams and it was me and several other judges. And one of the teams was the Minnesota roller girls. And they actually won the contest. But they actually deserved to win. It wasn’t just that I liked roller derby and so they won. (laughs) Yeah, so I was like “What is going on with this derby stuff? This is crazy! Ok, I can take a hint.” And so I called Amy up and I said, “Amy, listen, we’ve gotta do this.” And since then we had a new song we had done. And I was like “That new song, ‘Fate to Fatal’ would be perfect for this.” But then the idea of us all getting together… We were taking a break, the band was taking a break and two of the people live in Los Angeles.
And Kim and I are in Dayton and I’m like “How are we going to get all of our people down there to do a live show?” And at the same time, I was thinking about how cool it would be if the [roller] girls would do the lip-synching. That’s way more interesting to me, to have them do the lip-synching. So we started thinking, how could that work? Cause there’s not any real narrative to it. It’s not like there’s really a story, and I never really wanted there to be a story, I really just wanted it to be about their derby and how fun it is and how rad it is, you know? And that’s it. I don’t think it needs any story. It’s a fantastic visual. And it’s a great song. So it just worked out perfect.
So how did you decide to do it here [in St. Louis]? Are the Dayton/Cincinnati roller girls pissed?
Good point, good point. At one time, Amy and I were talking and we had talked about all of this a lot. And we’re like, what we could do- I was calling them away games but they’re not they’re called “road derby” or something. And they were going to be going through Detroit and I was like “Well, you guys could come through Dayton, and you could, like, play against the Dayton derby.” And that would have been cool. But the thing is, logistically, where are we gonna set all the girls up? And they’d have to come through here, we’d have to get hotels or find houses for people to stay in- it just made more sense [to film in STL], because there’s so many derby girls there in St. Louis. I mean, there’s the whole league, and it’s not just Amy’s team. And it took me a while to put that together. I was like “Oh, so there’s not just 13 of you rolling around.” “Oh no, there’s tons of us, and we could actually play against ourselves on our teams.” And I’m like, “You know what, Amy, it will just be easier.” And I drove down from Dayton in my car. And then Mando [Lopez] and [James] Ford, they flew out to St. Louis. And you know, cameras are so good now, and Mando- he’s the bass player in the Breeders- he actually does it for a living. He does camera work for a living.
So you were like, “Well, we don’t have to get a camera guy…”
Exactly. So then it was like, how is this gonna work? Cause I’d never been to the Skatium before. And I’m like what about drinks? Cause people are going to be thirsty. And what about food? And I’m just… all of these are question marks, cause we were in the middle of doing something else right then.
Kim and I were driving to Chicago to do this benefit we do with Second City, it’s like a 24 hour comedy and music thing. We’ve been doing that for a few years and it’s really fun, so we were rehearsing for that cause you’ve gotta kind of tear all the songs apart and make them interesting for just two people to play. And we had to figure it out. Kim would be like, “We could do Pacer, Kelley, if you play the bass part.” And I’d be, “OK, well how does the bass part go?” [Kim,] “Well, wait, I don’t remember. So I’ll play the bass part and sing.” So we were kind of re-learning that. So it was really busy, and Christmas was coming up, and it just seemed really busy so I was so worried it wouldn’t come together. That I was just going to drive into the Skatium and I was just going to go “Uh… here’s the lyrics. Go! Make magic!” So I get there, Amy has it completely— I don’t know what she does for a living. I think it has something to do with, like, organization and shit, doesn’t it?
Yeah, it’s some kind of office something right now.
Yeah, exactly. You can tell. Everything was completely mapped out.
Dude, if Amy wants to get something done, she just gets it done.
Oh my god! And gets it done well. Yeah. It ran like clockwork. I mean, I was so fuckin’ impressed, man. Yeah, I was really impressed.
She has some kind of weird motivating skills, do you know what I’m saying? She got all of those chicks to show up and skate for eight hours straight…
Oh my god! They skated like dogs for eight hours. Without drinking. No beers.
They really did.
I’m impressed with that. They’re really good about not drinking and skating. At least, they seem to be. Maybe somebody is there with a flask takin’ a nip, but I was pretty impressed with that. There’s a lot of socialization there, too. You wanna talk with your friends and you wanna have fun, so the idea of not drinking when you’re doing it for eight hours and it’s on a Saturday…
Well, what’s kind of great about that derby is that most of those girls didn’t know each other before they got involved in it. They all just kind of made their own family and it’s kind of sweet to watch. Cause they wouldn’t really know each other otherwise.
Oh, I know. It’s so cool. And, you know, when you get older you have all of your high school friends and all your neighborhood friends and then you have your work friends but as you get older you kind of start losing the number of friends somehow. I think, I don’t know what it is, how that works and shit, but something like derby, having those relationships with girls- it’s so good. And it’s not work relationships. I used to work in an office, you know, and everybody in the office goes out to dinner afterward, you go to a bar, meet up or something like that, but then you invariably start talking about work, or people at work. But the derby it just so great cause it’s something other than work.
I mean, I was shocked by how much they just- they just skated for eight hours straight and then all of those tricks at the end? I had no idea they could do that stuff.
Oh I know, oh my god. I don’t know if it’s out right now, or if it’s going to be out in the next couple of days. Have you seen the video? Mando called it- he titled the making of “Skate to Fatal.”
Yeah, I saw the clip on Rolling Stone.
They were really cute talking about- I mean, you see all of these wipe-out shots- it was pretty bad at the beginning there.
I watched saw James [Ford] take a serious fall. I wasn’t sure if he was going to be OK there for a minute!
Ha! Oh my god! Yeah! Mando was talking to me, about an hour into it, and he’s like “Man, I’m telling them to slow down but they can’t slow down. Listen I don’t know how this is going to work, but it’s not going to work how I thought it was. They can’t slow down. They’re unable to.”
Yeah, you just have to get out the way!
Yeah! So the video is cool. It’s awesome. There’s so many wipe out shots that look really bad ass. I don’t know all the girls and stuff, but there’s this one girl that’s got long hair and she’s doing push-ups. As a chick, I just really love it. And there’s at the very end, the whole thing ends with Grave Danger absolutely wiping out and she’s just laughing- it shows her laughing on the rink. It’s so cute. And they were all so patient! And they were willing just to try everything and they had enthusiasm and they looked great and the shots were amazing.
And they were doing those jumps and spins and shit. I mean, I’ve seen plenty of games, but I didn’t know they could do stuff like that.
So were you technically a director?
No, I was the… how do you say… I was the idea person.
Well, it was hard to tell, cause it seemed like you had some stuff planned out. But then it would be like “OK, wait, now to this.”
Right. I mean, I had a vision. And Mando respected that.
And I appreciate that he let me, you know, work on it.
So tell me about the EP that “Fate to Fatal” is going on. With Mark Lanegan and all… I love him.
Oh my god, his voice…
It’s so soothing!
You know, he sings like… (long pause) he sings like an old black man. He has that resonance of life, love, love lost, dreams smashed, forlorn- you know what I mean?
It’s like he sings like a serial killer would.
It’s kind of really spooky and eerie and kind of dangerous but soothing, too, in a really weird way.
It’s half soothing, half really sexy and I’m always confused about how to react when I hear it.
(laughs) Yeah, right, exactly. Like, “Should I be afraid of that voice?”
Yeah, am I scared or am I turned on or what?
Totally. Yeah, should I be turned on or not?
So why did you put out an EP and not a full album? Are you going to make another one?
Well what happened was last summer Kim got into a little writing frenzy. So we were doing some songs and we decided to record one of the songs, Fate to Fatal, in England at the very tail-end of the tour. And then we came home until, like, November. And we had a month, month and a half break there. And then we worked some more. And we worked some more. And we knew we were going to do All Tomorrows Parties, do you know about that?
Yeah, we’re curating and we’ve got really good bands. X is doing our party. Gang of Four is doing our party. Wire is doing our party.
I know, it’s so awesome. And Teenage Fanclub…
(gasps) Don’t even talk about Teenage Fanclub. Love them!
Yeah! I like to call it “my party.” (laughs) And so we were going ATP and we’re going, “Geez, we’ve got these songs, we should release, like, an EP around that time. It’s be fun. It would give us new songs to play- cause we just did Europe- we were just there. So we can do some new songs and people would actually know the new songs cause they’d have been released.” So that’s what we decided to do- put out an EP. And then we were talking about how we should release it, and we talked to 4AD a little bit and it was, like, overkill, so we thought “we should just do it ourselves” so we did.
And now it’s going to be on vinyl and digital download?
Well that’s the best way to do it now.
I think so, yeah. It just so happens that we were doing this the same time that Record Store Day was coming up. It’s this Saturday, so we were like, if we wanted to, we could just make the release date Record Store Day. So we just did that and it will be available for download on iTunes the following Tuesday. We’re doing the in-store at Shake It Records and that’s this Saturday. Shake It Records is a local vinyl store in Cincinnati, and Kim and I are going to drive down there with some guitars and play for like a half an hour or 40 minutes and I think we’re going to sign some records, too.
Everything just seems to keep lining up in the right way. And when I was looking up the release info it said that Pod and Last Splash were being re-released on vinyl, too. Is that true?
Well, we’ve never had a release that has not been on vinyl. So yeah, it’s all coming out on vinyl and I think it’s great.
So are you gonna summer tour? Are you coming here? What up?
That’s a good question. I know we’re doing… we’ve already… dates are already starting to get confirmed for August in Los Angeles. We’ll start working that out then. We’ll start moving out from there. I think we might do this San Diego street fair- Street Scene or something like that. Then opening for Elvis Costello who is doing something with Jenny Lewis at some bluegrass thing. He’s doing something with her and some other people. I can’t remember what it’s called, but it’s a bluegrass kind of thing. I think it would be awesome. Whatever Elvis Costello does- I’m so happy to open for him. Oh my god. So yeah, some more touring. I don’t know exactly where or when we’re coming.
Well, that’s nice. But when you do the midwest again you know you’ve got to come here cause you know about a million more people want to come.
Oh my god, I’d love to. I can’t wait for those guys- and for you, too, cause you were there during it- to see the video.
Oh my god, I stayed the whole time, it was so long.
They skated like dogs!
The Breeders + V-DAY + STL = LUV4EVER
Wednesday, Feb. 11 2009 @ 2:57PM
We’ve been sittin’ on this one for weeks, people. We tried to get official announcements and press statements but they weren’t forthcoming.
So here it is: The Breeders are scheduled to be in St. Louis on Valentine’s Day to shoot a music video with St. Louis’ all-female roller derby league, the Arch Rival Roller Girls. The video is reportedly for a song on a new Breeders EP that will be released this spring/summer.
We’re not authorized to leak specific details (this is a private shoot), but we will say that one wouldn’t have to work too hard to find the location and scam an invite. It’s a “friends of friends” style event so start asking around.
Ahhh… It feels so good to spill the beans. Check back at A to Z where we’ll give you details and other information as we have it.
See you there, my hearts,
Pazz & Jop 2008
36th Annual Village Voice Critics’ Poll
“Pazz & Jop is an annual poll of musical releases compiled by American newspaper The Village Voice. The poll is tabulated from the submitted year-end top ten lists of hundreds of music critics. Pazz & Jop was introduced by The Village Voice in 1974 as an album-only poll, but was expanded to include votes for singles in 1979.”