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Pazz & Jop 2011 – 39th Annual Village Voice Critics’ Poll

January 18, 2012 Leave a comment

I was honored to be asked to contribute to the annual Village Voice critics’ poll- this is my 5th year participating.

Pazz & Jop 2011
39th Annual Village Voice Critics’ Poll


About Pazz + Jop:

The Pazz & Jop critics’ poll is a highly influential poll of music critics run by The Village Voice newspaper. It is compiled every year from the top ten lists of hundreds of music critics (roughly 800 in the 2004 poll). Albums have been voted upon every year since 1974 (voting also took place in 1971), and votes for singles have been tabulated since 1979.

Since the poll’s inception, critics have been invited to award their ten albums a total of 100 points, with each album receiving a maximum of 30 points and a minimum of 5. Lists submitted without points are given 10 points per album by the poll’s editors. Singles lists have always been unweighted.

Music critic Robert Christgau was in charge of the poll for 33 years, and wrote an essay every year that accompanied and framed the list. Christgau was dismissed from the Village Voice in August 2006, but the paper intends to continue the feature. Christgau continues to submit his Top Ten list and to encourage other eligible critics to do so.

The poll was jokingly given the spoonerism name “Pazz & Jop” rather than the more obvious “Jazz & Pop” because, inevitably, some detractor will claim that a nominated work is ineligible or undeserving on the grounds that it isn’t “really” jazz or pop. Since there are no formal definitions for the made-up terms “pazz” and “jop”, voters will concentrate on the actual merits of a work rather than arguing over whether it fits into this or that genre.

link: Village Voice
link: Pazz & Jop

Pazz & Jop 2010 – 38th Annual Village Voice Critics’ Poll

January 24, 2011 Leave a comment


This year I was (again) honored to be asked to contribute to the annual Village Voice critics’ poll. Here’s the info and the results.

Pazz & Jop 2010
38th Annual Village Voice Critics’ Poll

About Pazz + Jop:

The Pazz & Jop critics’ poll is a highly influential poll of music critics run by The Village Voice newspaper. It is compiled every year from the top ten lists of hundreds of music critics (roughly 800 in the 2004 poll). Albums have been voted upon every year since 1974 (voting also took place in 1971), and votes for singles have been tabulated since 1979.

Since the poll’s inception, critics have been invited to award their ten albums a total of 100 points, with each album receiving a maximum of 30 points and a minimum of 5. Lists submitted without points are given 10 points per album by the poll’s editors. Singles lists have always been unweighted.

Music critic Robert Christgau was in charge of the poll for 33 years, and wrote an essay every year that accompanied and framed the list. Christgau was dismissed from the Village Voice in August 2006, but the paper intends to continue the feature. Christgau continues to submit his Top Ten list and to encourage other eligible critics to do so.

The poll was jokingly given the spoonerism name “Pazz & Jop” rather than the more obvious “Jazz & Pop” because, inevitably, some detractor will claim that a nominated work is ineligible or undeserving on the grounds that it isn’t “really” jazz or pop. Since there are no formal definitions for the made-up terms “pazz” and “jop”, voters will concentrate on the actual merits of a work rather than arguing over whether it fits into this or that genre.

The Felice Brothers + AA Bondy – concert preview

September 17, 2008 Comments off

Felice Brothers/AA Bondy
9 p.m. Wednesday, September 24. Billiken Club, in the Busch Student Center on the campus of Saint Louis University, 20 North Grand Boulevard.
By Jaime Lees
Published on September 17, 2008

Coming straight outta the Catskills, the Felice Brothers play a twanged-out style of gypsy Americana, music which drips with bayou-sounding horns, humming accordion and light tinkering on a tinny, old-West-saloon-sounding piano. With nods to ’60s protest songs and gritty swells of dark-folk, it’s perfect campfire music for a cool fall night. The Felice Brothers are currently on the road with their real-life brother-in-law, AA Bondy. Bondy is a singer-songwriter touring in support of his crushingly beautiful debut album, American Hearts (which Fat Possum Records re-released earlier this year). With just a harmonica and a stellar command of his acoustic guitar, Bondy crafts pure, sophisticated, Dylan-esque compositions with solid conviction, quiet determination and grace far beyond his years.

> SEE HERE <

The Felice Brothers

February 27, 2008 Comments off

The Felice Brothers
8 p.m. Friday, February 29. The Pageant, 6161 Delmar Boulevard
By Jaime Lees Published: February 27, 2008

The Felice Brothers — which is actually three brothers and a non-relative named Christmas — embrace and transcend its Americana roots. On its self-titled debut (out this Tuesday on Team Love), the songs are mostly patterned on skippy, toe-tapping beats and are frequently punctuated with accordion and old-Western saloon-style piano prancing. Any of the quartet’s songs might morph from throwback, “Scarborough Fair”-style folk to a rumbling, doom-filled jam at any moment. Though the lyrics are of the classic variety (booze, ladies, Jesus, heartbreak, lust), a few punchy one-liners stand out (“I put some whiskey into my whiskey”) Even the dangerously derivative Bob Dylan-style vocals don’t come off as plagiarism, but as charming and warmly familiar. The Brothers’ robust multi-member chorus sing-alongs during its live shows are also not to be missed. Drive-By Truckers — who recently released Brighter than Creation’s Dark — headline.

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