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The Year Punk Broke Finally Gets Reissued: Where The Featured Bands Are Today

September 21, 2011 Leave a comment

The Year Punk Broke Finally Gets Reissued: Where The Featured Bands Are Today
By Jaime Lees
Wed., Sep. 21 2011 at 10:14 AM

​About twenty years ago, Sonic Youth’s Thurston Moore asked his friend, filmmaker Dave Markey, to document the band’s short European tour, including its performance at the massive Reading Festival.

Markey (best known for his underground classic Desperate Teenage Lovedolls) left with his passport, a camera and a suitcase full of Super 8 film. When he returned he had nine hours of raw footage and the makings of the best visual documentary of 1990s indie rock before the grunge explosion. The film features many indie bands in their prime, including Nirvana, Dinosaur Jr and Babes in Toyland. It’s sort of the video companion to Michael Azerrad’s Our Band Could Be Your Life.

1991: The Year Punk Broke existed for years as an out-of-print VHS with a cult following, but it was finally released on DVD last week. The DVD release contains the original documentary and a shit-load of extra features, including more than an hour of interviews, bonus footage and rough edits.

Lovingly described by Moore as a “home movie,” TYPB is gritty, shaky and absolutely perfect. Live concert footage is spliced with scenes of the bands shopping, eating, exploring various cities and just kind of hanging out. Sonic Youth serves as the main subject of the documentary, with Moore emerging as particularly hammy and entertaining. (See: Thurstonitis)

To truly understand TYPB, viewers must first watch Madonna’s Truth or Dare. Madge’s classic black and white tour doc had just been released at the time and it was a major moment in pop culture. There are many skits and inside jokes included in TYPB that reference Truth or Dare. (Including a brilliant scene where Kurt Cobain plays the role of Kevin Costner.)

In the two decades that have passed since 1991, grunge took over and indie stopped meaning anything. But what has all this change wrought on the specific bands featured in 1991: The Year Punk Broke? We check in on some of the featured personalities below:

Sonic Youth
The doc was filmed one year after the release of Goo, but still before the release of Dirty. In the film, the members of Sonic Youth come off as just a little bit older, cooler and more harder-working than their peers. This has never changed. Sonic Youth will forever be populated with people that seem like cool older brother/sister-types. And they’ve become even more prolific: the band has released nine studio albums since the documentary, and the members have embarked on countless solo projects ranging from music to books to photography to art to fashion. Sonic Youth has always been a band that stood on a well-earned mountain of cred, and this has only become more true over time. Still, it is totally shocking that the band is still as well-respected and, well, as good as it was twenty years ago.

Babes in Toyland
The Babes were fresh off of a tour with Sonic Youth and seemed to be extra feisty. The band only had one song featured on the video, but it was the tribal and violent “Dustcake Boy.” This song is one of the better examples of singer Kat Bjelland’s trademark angry leopard-like yelps. Babes released its biggest album, Fontanelle, in 1992 and had a couple more albums after that before calling it quits. There have been a few reunion shows, but the most interesting story to come out of the demise of Babes in Toyland is what happened to Kat Bjelland. Anyone familiar with Bjelland’s work would should not be surprised to find out that she began to suffer from multiple personalities and was diagnosed as schizophrenic in 2007. She spent a year under medical mental care and came out just as stubborn and creative and badass, releasing albums with her new band, Katastrophy Wife.

Joe Cole
Mr. Cole was not in a band included in TYPB, but it is fitting that he was included in the film. Cole was known as a roadie for Black Flag, the best friend of Henry Rollins and was a cheerleader for seemingly every band on the SST roster. He can be seen in the background many times, and there is one long shot of his face, watching a band from the side of the stage, radiantly happy with his arms around his girlfriend, Michelle Leon of Babes in Toyland. Tragically, Cole was shot and killed just a few months after this summer in a random act of violence in Los Angeles. Sonic Youth, Henry Rollins and Hole all dedicated future works to his memory.

Nirvana
We all know what happened with Nirvana. Mere milliseconds after Markey wrapped filming, the whole world fell into Nirvanamania. The little band would soon eclipse its heroes, becoming the biggest thing that happened to popular music that decade. Amazingly, Markey manages to capture a side of Nirvana that the general public would never know: the happy side. In TYPB, the band members are still relatively unknown. They are wide-eyed and playful, with frequent smiles and passionate stage show. But that levity was lost when the fame came along. The band would only release one more studio album, In Utero, before singer Kurt Cobain committed suicide. Drummer Dave Grohl went on to form the ultra-successful Foo Fighters and bassist Krist Novoselic expanded his interests from music to politics, even running for office in his home state of Washington.


Courtney Love
Miss Love can be seen in the original doc (and in the extra footage) trying to get the attention of cameraman Markey. Her role in the video is very small- she wasn’t performing, she was in England to hang out with Billy Corgan of Smashing Pumpkins. Of course, she went on to marry Cobain of Nirvana and the two became the Sid & Nancy of the ’90s. Love’s band Hole was also on the verge of fame, having released its debut album, Pretty on the Inside, in August of ’91. Hole went on to release a few more albums, including the highly successful Live Through This in 1994. Love went on to become a famous disaster and the topic of much tabloid speculation.

Dinosaur Jr
Dinosaur Jr was always bigger in Europe, due to constantly touring of the Continent. This is most apparent during on of the most beautiful, chill-inducing moments of the film. The band is playing “Freak Scene” and at the very end of the song, the whole dang audience sings along to the all-important line “Cause when I need a friend it’s still you.” Dino went on to release five more studio albums and the band is still active today (with years of breaks in between). The members have also put out solo albums and they remain some of the mostly highly respected individuals in indie rock.



Mark Arm
Though his band, Mudhoney, wasn’t featured in the film, Mark Arm can be seen in several scenes in TYPB. His little blond mop is always bopping around, accenting a goofy smile. Mudhoney was kind of Nirvana before Nirvana was Nirvana, and it certainly had a longer career. The band has put out ten studio albums in its career and is still active (and awesome) today, mostly playing large international festivals.

The Ramones
The Ramones were included in The Year Punk Broke, but the band’s time in the film was so short and so stiff that it seemed like the Ramones were more included as a tribute to punk elders than as a viable band. Still, the Ramones had one of the most interesting careers in music history. In 1991 the band was already 27 years into its career and it would be another five years before it officially disbanded. After TYPB the band put out three more studio albums, but it didn’t much matter. The Ramones were already considered the greatest American punk band.

Gumball
Gumball is the only band included in TYPB that never quite achieved any level of mainstream success. Despite releasing 1991′s Special Kiss (featuring both Thurston Moore and members of Teenage Fanclub), Gumball never really caught on with indie audiences and was dropped from its label in 1994 due to disappointing sales. Gumball disbanded shortly after that, but the band members went on to have very successful individual careers. For example, frontman Don Fleming is a noted producer and participated in many other musical indie ventures, including Half Japanese, Dim Stars and The Backbeat Band.

Pazz & Jop 2009 – 37th Annual Village Voice Critics’ Poll

January 20, 2010 Leave a comment

This year I was (again) honored to be asked to contribute to the annual Village Voice critics’ poll. Here’s the info and the results.

Pazz & Jop 2009
37th Annual Village Voice Critics’ Poll

About Pazz + Jop:

The Pazz & Jop critics’ poll is a highly influential poll of music critics run by The Village Voice newspaper. It is compiled every year from the top ten lists of hundreds of music critics (roughly 800 in the 2004 poll). Albums have been voted upon every year since 1974 (voting also took place in 1971), and votes for singles have been tabulated since 1979.

Since the poll’s inception, critics have been invited to award their ten albums a total of 100 points, with each album receiving a maximum of 30 points and a minimum of 5. Lists submitted without points are given 10 points per album by the poll’s editors. Singles lists have always been unweighted.

Music critic Robert Christgau was in charge of the poll for 33 years, and wrote an essay every year that accompanied and framed the list. Christgau was dismissed from the Village Voice in August 2006, but the paper intends to continue the feature. Christgau continues to submit his Top Ten list and to encourage other eligible critics to do so.

The poll was jokingly given the spoonerism name “Pazz & Jop” rather than the more obvious “Jazz & Pop” because, inevitably, some detractor will claim that a nominated work is ineligible or undeserving on the grounds that it isn’t “really” jazz or pop. Since there are no formal definitions for the made-up terms “pazz” and “jop”, voters will concentrate on the actual merits of a work rather than arguing over whether it fits into this or that genre.

Interview with Lou Barlow of Dinosaur Jr.

October 8, 2009 Leave a comment
J Mascis, Lou Barlow and Murph of Dinosaur Jr. Photo by Brantley Gutierrez.

J Mascis, Lou Barlow and Murph of Dinosaur Jr. Photo by Brantley Gutierrez.

Dinosaur Jr./Lou Barlow & the MissingMen
By Jaime Lees
Published on October 05, 2009
8 p.m. Wednesday, October 14. The Pageant, 6161 Delmar Boulevard.
$22 advance, $25 day of show. 314-726-6161.

With grunge-era staples such as “Freak Scene” and “Out There,”Dinosaur Jr. specialized in bittersweet compositions, where even the sad songs were love songs and even the love songs were sad. But they were no crybabies: An impermeable wall of screaming guitar concealed much of this melancholy. To the delight of fans, not much has changed over the past twenty or so years. The older songs still ring true, and the live shows are still a pulverizing avalanche of sound. (The volume of which can only be described as “unholy.”) And don’t call this a nostalgia tour: The band’s new album, Farm, might be its best one yet — supplying a mixture of confessional songwriting and dizzy, throbbing rock. Dino’s own Lou Barlow opens the show in support of his solo album, Goodnight Unknown.

INTERVIEW:

Lou Barlow has indie cred out the ass. As the bass player for Dinosaur Jr (which is playing at the Pageant on Wednesday, October 14), Barlow (alongside guitarist J Mascis and drummer Murph) has been at the forefront of the “alternative” scene since the early ’80s.

And if playing with Dinosaur Jr. wasn’t enough, this dude started college radio gods Sebadoh as a side gig. A side gig! He needed another outlet for his songwriting and — whoops! — he accidentally started freakin’ Sebadoh. Jeez.

Still, it gets crazier. For a few years in the mid-’90s, Barlow fronted psych duo Folk Implosion. Yeah, you know ‘em. That’s the band that scored a surprise hit with the spooky “Natural One” off of the soundtrack from the film KIDS.

Oh yeah, and Mr. Midas puts out beautiful lo-fi solo albums, the latest of which, Goodnight Unknown, is released this week on Merge.

We “interviewed” Barlow via email a couple of weeks ago while he was touring with Dinosaur Jr. in Europe. He was gracious enough to write us back, despite the semi-ridiculous questions we sent his way. Thanks, Lou.

Jaime Lees: So you’re doing a weird thing on this tour. In addition to playing with Dinosaur Jr., you’re also the opening act, playing your solo music with a backing band. How does that work out? It seems exhausting. Do you need to take a nappy, Lou Barlow?
naw, the more i play the more energy i have. dino only plays for an hour and half a night. my band will be playing for 45 minutes, tops. we’ll be on a bus, so i can sleep, dino has roadies so i can sit on my ass for most of a day. i’ll be fine.

Your new album, Goodnight Unknown, gets better with each listen. It seems more upbeat than your previous solo work, but it still lovey and conflicted. Do you write about situations in your own life or do you see yourself more as a storyteller?
i’m not a storyteller. at all. the songs are based on situations in my life. i collect phrases that have the right feel when i sing them. string them together around the theme. maybe a particular incident or a general message ( i.e. ‘i love you’ ). songs provide a lot to hide behind. you can get away with murdering the language. as long as the feel is right.

When you’re writing music, how do you decide who gets it? Meaning: Do you write songs for your solo albums and Dinosaur Jr. albums separately? Or does it all start from the same place?
with dino i like to start with improvising bass and drums. finding riffs that feel good. then marrying them with existing melodies or something totally new. the main objective is matching the texture of j’s songs in some way. i don’t want to frankenstein a song i wrote on acoustic into a dino-replica. i want it to be organically dino. if that makes sense. the songs i write on acoustic guitars seem best kept acoustic, for now. those became the songs on ‘goodnight unknown’

So, I really loved those silver and purple limited edition Dinosaur Jr. themed Nike High-Top Dunks. Do you have any other plans to license merchandise like this? And can you hook a ho up with some phat new kicks? (Ladies size 7, please)
i don’t even know how that happened. j’s on a whole other level of brand awareness and profit avenues.

Do you still live in L.A.? What’s the process for when Dinosaur Jr. needs to get together to write, rehearse or record?
i still live in LA. when dino needs me i go back east, stay with my parents and soak up the hometown vibes. and i can bring my wife and the kid out for gramma time.

How on earth do you still have your hearing? I last saw Dinosaur Jr. play in 2006 and it was the loudest MF sound I’ve ever heard in my life. Not just the loudest concert I’ve ever been to, but the loudest sound I’ve ever heard. Many people fled the venue. Those who stayed were shoving cocktail napkins down their ear canals. At least two chicks were crying. Does that make you proud, Lou? Huh? Does it?
no. it’s f-in ridiculous. it’s j’s trip. he is inflexibly dedicated to the idea of extreme volume as a necessity. was then, is now. it’s one of the great mascis mysteries.

i wear 2 pairs of 33 db reduction earplugs. one pair buried in my ear canals, the other gaffer taped on top of those.. it sounds and feels pretty great that way. i experience the songs on a physical level as well as melodic and emotional (i think and dance to them )

we played a show last year with small amps and it was great. we really don’t need the extreme amplification but it’s part of j’s ‘brand’. that’s the ship i’m sailing on and i won’t be mutinying anytime soon. the positives still outweigh the negs.

SXSW: The Random Picture Post

March 17, 2008 Comments off

These snaps were just too hot not to post.

photo by Jaime Lees
PHOTO: Dead Confederate
WHEN: Wednesday, March 12, 11p.m.
WHERE: Stubb’s BBQ, big outside stage
NOTE: This band opened for R.E.M. (Athens represent) and might have been the best surprise of the festival. Read our coverage here.

photo by Jaime Lees
PHOTO: AA Bondy
WHEN: Thursday, March 13, about 9:30p.m.
WHERE: The gorgeous poolside rooftop stage of a heavily sponsored free party.
NOTE: This was one of 12 AA Bondy shows in a 3 day time span in Austin.

photo by Jaime Lees
PHOTO: downtown Austin, TX, view from the AA Bondy rooftop show
WHEN: Thursday, March 13, late night
WHERE: at 3rd Street and Guadalupe looking East
NOTE: There should be more rooftop shows. Always.

photo by Jaime Lees
PHOTO: Autolux’s Eugene Goreshter
WHEN: Friday, March 14, afternoon
WHERE: Red Eyed Fly backyard venue
NOTE: Goreshter’s amazing vocals on Autolux albums? Not studio magic. Dude actually sings like that.

photo by Jaime Lees
PHOTO: J Mascis of Dinosaur Jr, solo show
WHEN: Saturday, March 15, mid-afternoon
WHERE: Garden Party (read: gorgeous yard), the French Legation Museum
NOTE: J Mascis is a God among men (who just happens to use a baby pink Razr as his preferred cellular device.)

photo by Jaime Lees
PHOTO: Thurston Moore and the New Wave Bandits
WHEN: Saturday, March 15, afternoon, slot after J Mascis
WHERE: East Austin, French Legation Museum
NOTE: Sonic Youth’s Thurston Moore stole the show with his expansive talent and boyish charm. Read our coverage here.

photo by Jaime Lees
PHOTO: The Breeders
WHEN: Saturday, March 15, about 9p.m.
WHERE: Waterloo Park, north of downtown, 2nd stage
NOTE: Two Deals are always better than one. Read our coverage here.

photo by Jaime Lees
PHOTO: Kid Sister at the Fool’s Gold Showcase
WHEN: Saturday, March 15, 1a.m. (after Flosstradamus, before Chromeo)
WHERE: Volume nightclub, next to the told Emo’s on 6th Street
NOTE: Kid Sister claimed she was crunk but she still held down her raps with a little help from brother Josh “J2K” Young (of super-fly duo Flosstradamus) as back up.Category: Music, Reviews, SXSW, Snapshots

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