Ian MacKaye / The Evens

October 31, 2007

Ian MacKaye takes on new venues.
8:30 p.m. Monday, November 5. White Flag Projects, 4568 Manchester Avenue. $5. 314-531-3442.
By Jaime Lees
Published: October 31, 2007

On an Even(s) Keel
As the frontman of the legendary punk bands Fugazi and Minor Threat and co-founder of Dischord Records, Ian MacKaye has proven himself to be both a prolific songwriter and a keen businessman. He birthed the highly respected independent label nearly three decades ago and it has since grown to be the very nucleus of do-it-yourself punk-rock culture. MacKaye’s unwavering integrity and sincerity in the face of the shady corporate music business reveal his career path to be nothing short of inspirational. Viewed as the moral and dignified godfather of the hardcore and straight-edge scenes, MacKaye seems to start accidental revolutions by simply speaking his mind and doing his work.

With the much-missed Fugazi on indefinite hiatus, MacKaye has plenty of other projects to cultivate. In addition to speaking engagements, running the label and giving interviews, MacKaye is busy scheduling tour dates for his newest band, the Evens, a lo-fi (yet still intense) duo with Amy Farina, formerly of Washington D.C.’s the Warmers. Though the Evens could easily cash in their punk-royalty status in exchange for the best gigs in town, the band schedules the dates by itself and prefers to play small, non-traditional venues including art galleries, libraries and community centers.

Calling from Dischord House, the headquarters of his label, MacKaye is instantly likable. He seems smart, affable and warm. In conversation he’s quick, but not rude. Funny, though not sarcastic. In this and every other forum, it is clear that MacKaye takes what he does very seriously.

“I work really hard,” he says. “[Other] people, they punch out for the day and they go home. I never punch out. I’m never off the clock, in a way. The fact that I haven’t separated my work from myself — it has its pluses and it also has its negatives.” The lure, however, is clear. “I wake up every morning having something to do and wanting to do it.”

Aside from the advantage of keeping costs down for fans, MacKaye reveals another purpose in booking alternative venues: “So we can be liberated from the rock world, which is pretty constricting when you get right down to it. I mean, you think about the kind of venues or the kind of establishments where music can be presented, and ultimately it’s pretty limited and largely dictated by one of two industries, you know — and that’s the rock industry and the alcohol industry. And since we don’t feel beholden to either, then why not break free?”

When MacKaye is questioned about his constant work and touring, he pushes off any concern. “I like places, I like people! I like going somewhere. I like that fact that music is a point of gathering that can effectively work anywhere.” Here he further clarifies: “I guess I don’t feel ever burned out at all. I just feel fortunate to be able to go play music.” — Jaime Lees

[FOR EXTENDED INTERVIEW CLICK HERE]

  • 10-31-07 Riverfront Times (St. Louis) - article link
  • 11-01-07 reprint in the Pitch (Kansas City) - article link
  • 11-08-07 reprint in the Houston Press (Houston) - article link
  • 11-15-07 reprint in the Nashville Scene (Nashville) - article link
  • interview outtakes here
  • The Evens - website

Meat Puppets

October 31, 2007

Meat Puppets
9 p.m. Saturday, November 3. Blueberry Hill’s Duck Room, 6504 Delmar Boulevard, University City.
By Jaime Lees
Published: October 31, 2007

Long regarded as lucky metalheads with a psychedelic soul (after all, Kurt Cobain invited them to perform on Nirvana’s MTV Unplugged session), the Meat Puppets have since outgrown most former labels. The band’s new album, Rise to Your Knees, adds half-country harmonizing to the drawn-out, effects-pedal-distorted fuzzy sound found on albums past (perhaps because co-founders/brothers Curt and Cris Kirkwood now call Austin, Texas, home). Other tunes are a throwback to the apex of classic rock and often conjure the jangly alt-rock of Tom Petty & the Heartbreakers. Knees proves that the Meat Puppets have become more than just a band only patient experimental-music lovers could love.


Casper and the Cookies

October 31, 2007

Casper and the Cookies
9 p.m. Tuesday, November 6. The Bluebird, 2706 Olive Street.
By Jaime Lees
Published: October 31, 2007

We’re sorry, but some music is just too Cute to be called anything else. Yes, that’s “cute” with a capital “C,” especially when Casper & the Cookies is involved. The Athens, Georgia, band specializes in prancing power pop with twinkles and rainbows and lollipops and sparkles and unicorns, goddamn it — and that’s a good thing. Far too many bands shy away from being labeled with the C-word, thinking it somehow hurts their credibility. We say embrace it. Few bands can combine dreamy harmonies, joyous melodies and just a dollop of sugary noise with as much delight as Casper & the Cookies does. Expect all of this — and a super-energetic dance party to boot — when the band hits St. Louis.


Melt Banana

October 24, 2007

Melt Banana
7 p.m. Saturday, October 27. 2 Cents Plain, 1114 Olive Street.
By Jaime Lees
Published: October 24, 2007

Not everything that comes from Japan is cute. In fact, Melt Banana seems to be doing everything it can to deny the naturally adorable output of its birthplace. Formed fifteen years ago, the band remains uncompromising in its ability to mess with audiences’ preconceptions by gouging a Hello Kitty-shaped hole right through their eardrums. Employing the use of bass, guitar, theremin, computers and whatever the hell instrument makes that laser-zap sound, the noise band grinds screechy clamor against abrasive thumps with a dash of piercing dentist drill. But the effect is great: If you grit your teeth and listen long enough, you’ll realize the band is actually taking you on an artful journey that culminates in a semi-melodic loop of blissed-out frequencies.

  • 10-24-07 Riverfront Times (St. Louis) - article link
  • 11-29-07 reprint in the Houston Press (Houston) - article link
  • Melt Banana - website

Henry Rollins

October 17, 2007

Henry Rollins
8 p.m. Saturday, October 20. The Pageant, 6161 Delmar Boulevard.
By Jaime Lees
Published: October 17, 2007

Henry Rollins started as the howling, robust frontman of legendary punk band Black Flag. Those who are familiar with Rollins’ vitality and exuberance won’t be disappointed in his spoken-word show. Deceivingly billed as “quintessentially American opinionated editorializing and storytelling,” the show is mostly smart stand-up comedy. The “spoken word” classification often implies a snooze-y presentation of pre-planned, carefully worded poetry, but Rollins’ show couldn’t be more different. He stalks the stage with the same energy and aggression once used for winding up jaded punkers, exploding on the audience with entertaining (and often hilarious) personal stories and tirades. The show is also political: Rollins doesn’t miss any opportunity to express his views and his convincing rants are not without intelligent points — “Dubya” supporters beware.